Review Phim "Call Me By Your Name" - Hãy Cứ Yêu Và Gọi Tên Nhau Khi Còn Có Thể | Kenhdaihoc.net. Gây tò mò cho khán giả bằng chủ đề tình cảm đồng tính, "Call Me by Your Name" thực chất là tác phẩm dễ xem, với phần thông điệp đơn giản nhưng đầy ý nghĩa. Thể loại: Tâm lý, lãng mạn. Đạo diễn: Luca Guadagnino. Bạn đang xem: Review call me by your name Call Me by Your Name là câu chuyện kể về cuộc tình lãng mạn giữa 2 chàng trai trẻ Elio và Oliver. Như mọi năm, vào mùa hè, khi kỳ nghỉ đã bắt đầu, gia đình Elio đều chào đón một sinh viên mới từ trường đại học của bố anh để phụ giúp ông công việc viết sách và nghiên cứu. Phim LGBT "Call Me By Your Name" thống trị ISA 2017, trở thành ứng cử viên Oscar sáng giá. Sáng ngày 22/11/2017, danh sách đề cử cho giải thưởng Independent Spirit Awards (Tinh thần Độc lập) đã được công bố. Trong số đó có một cái tên rất đáng chú ý là Call Me By Your Name của Trailer Call Me by Your Name. Chính thức được phát hành vào năm 2017, Call Me by Your Name bất ngờ trở thành một ứng cử viên nặng ký trong các mùa giải thưởng cùng năm đó và được đề cử tới 4 giải Oscar, trong đó có hạng mục phim hay nhất.Mặc dù cuối cùng chỉ giành được chiến thắng trong hạng mục kịch bản Call Me By Your Name (2017), tin tức hình ảnh mới nhất luôn được cập nhật liên tục, chủ đề call me by your name (2017) : Timothée Chalamet diện trang phục màu đỏ đẹp mê hồn - nhưng cũng khiến không ít người "sốc nhẹ" - khi xuất hiện tại thảm đỏ LHP Venice 2022. - Tin tức, hinh anh, video moi Call Me By Your Name (2017) tại Vay Tiền Nhanh Ggads. Call Me by Your Name Reviews Movie Reviews By Reviewer Type All Critics Top Critics All Audience Verified Audience Prev Next From the 1980s idyllic Italian countryside to the slow-burn romance, Luca Guadagnino directs a mesmerizingly dreamy summer experience. Full Review Apr 20, 2023 The film is romantic in a very classical sense, and the spell works. Full Review Jan 11, 2023 17-year-old Elio Timothée Chalamet, in his best performance to date lives with his parents in suburban Northern Italy. Elio's archaeologist papa Michael Stuhlbarg invites an American grad student the always-wooden Armie Hammer, to spend the summer.. Full Review Original Score B- Jul 7, 2022 Chalamet rocketed from obscurity onto the Hollywood A-List thanks to Call Me By Your Name, and with good reason he didnt just give a great performance in the film, he gave the best performance of 2017. Full Review Original Score 4/4 Mar 20, 2022 Call Me by Your Name taps into universal emotions that belong to everyone who has loved, and rewards our experience through luscious filmmaking. Full Review Original Score 4/4 Mar 16, 2022 Call Me By Your Name is a film that captures a human truth in a way like no others. Full Review Original Score A+ Mar 4, 2022 While it's the simmering sexual tension that keeps you watching for most of the film, it's only later that you realise this is a character piece about a man's bluster and how his confidence does not make him strong. Full Review Original Score 5/5 Sep 2, 2021 The most humane and kind movie in a year that featured so many others filled with anxiety and darkness. Full Review Jul 20, 2021 Chalamet's performance is magnificent - this is the sort of performance that stretches across a lifetime. This is "Hey look we have our own James Dean now" level good stuff here Full Review Original Score A Jul 6, 2021 The blossoming romance between these two men, that unfurls over six sun-dappled weeks in northern Italy, is utterly ravishing. Full Review Original Score 5/5 Jun 25, 2021 What the film does with that, thanks to the performance by 2017 all-star Michael Stuhlbarg, is surprising and life-affirming. Full Review Apr 13, 2021 Chalamet is quickly becoming one of the most reliable young actors around... Full Review Dec 11, 2020 The actors are superbly convincing. Full Review Original Score 6/10 Dec 5, 2020 It's certainly a handsome piece of escapist-touristic fantasy, though I remain skeptical of Guadagnino, who often seems truer to his sideline as a luxury-product advertiser than he does to the narrative and psychological depth... Full Review Oct 19, 2020 One of 2017's most engaging and loving films. Full Review Original Score Sep 4, 2020 [I]ncredibly seedy and oft-fetishized . . . In the world of Call Me by Your Name, this sort of behavior is literal, and it's abusive. Full Review Jul 25, 2020 Chalamet's performance is subtle but thorough, his body language conveys so many feelings... his stare is the reflection of the love he desires. [Full review in Spanish] Full Review Jul 3, 2020 [T]here is nothing else in their world of two, no other possible reference ... The film is powerful not in spite of the fact that it's a summer fling, but because of it. Full Review Jul 1, 2020 It frames the honesty of human feelings with a lucidity that transcends any sexual sphere. It is a good movie. [Full review in Spanish] Full Review Original Score 7/10 Jun 27, 2020 Call Me by Your Name transcends because it dares to not only ask, but also answer the question posed by so many love stories throughout history was the love worth the pain? Yes. Without a doubt, it was. Full Review Jun 22, 2020 Prev Next Do you think we mischaracterized a critic's review? STORY A precocious teen Elio Timothee Chalamet falls head over heels in love with Oliver Armie Hammer, a visiting American student of his father’s, at their gorgeous Italian villa in summer. The two find themselves magnetically drawn to each other, well aware of their uncertain future. Even as the boys discuss piano, poetry and peaches, they mostly wonder what the other is thinking. No matter how hard to confess, you can’t conceal love for too long, can you?REVIEW Gorgeously adapted by director Luca Guadagnino and James Ivory screenplay, CMBYN, based on André Aciman’s acclaimed novel, is one of the greatest coming-of-age romances. It is unsoftened yet delicate portrayal of intimacy and conversation between lovers. Elio and Oliver know they like each other, much before the former finds it impossible to hide his feelings. A whirlwind secret romance ensues around the swimming pool, dinning table, piano place, bedroom and corridors of the sprawling heritage villa. We watch the two locking eyes, seducing each other with words and music, indulging in flirtatious banter and speaking in a language that only lovers do. But summer romances don’t last for a lifetime, or do they?The beauty of CMBYN is its raw, vulnerable, passionate and uninhibited energy. The camera sees through people and watches them when they aren’t looking. Elio carelessly leaving the door of the fridge half open, compelling a rather annoyed house help to shut it on his behalf... the camera lingers on people, and observes them closely. Elio’s eyes lighting up at the sight of Oliver, he nervously anticipating Oliver’s response to his romantic advances and finally confessing his feelings to him. Through Elio, you experience the rush of first love and the heartache that is bound to by Timothee Chalamet, the performances and chemistry between actors are outstanding. As the end credits roll, we see Chalamet shedding tears in silence by the fireplace, thinking of Oliver, the moments they’d shared and the void he’s left. The camera freezes on his unblinking teary eyes and hapless face. His quiet pain is loud enough to crush your heart. This performance catapulted the youngster to stardom and won him an Oscar nomination for a reason. Armie Hammer as Oliver is equally effective and this film wouldn’t be what it is, without him. Michael Stuhlbarg as Elio’s erudite and compassionate father deserves a special mention. His monologue towards the end will go down in history as one of the most iconic father-son scenes. The powerful sequence compels one to introspect. It takes courage to actually love someone knowing you might lose them and realising you were lucky enough to find them in the first place. Intuitive and loving, Amira Casar is perfectly cast as Elio’s mother. Beyond the actors, Luca masterfully uses the house as his key character. Every frame has a meaning. Be it Elio lying on a sofa, resting his head on his mother’s lap on a lazy afternoon as she reads out to him or more. The house is integral to the but not the least, the film does not put labels to relationships, nor does it define its story as a same sex relationship. The director’s thoughtful gaze sees love as love and nothing more. The film is thankfully not verbose. It cleverly alternates between silence and dialogue, giving enough room for actors to explore themselves. CMBYN is a simmering, sensual ode to irresistible attraction, first love & heartache. At heart, the romantic drama answers our age-old dilemma... When you love someone but haven’t mustered the courage to tell them that, “Is it better to speak or die?” It is not easy to put Call Me by Your Name into words. Luca Guadagnino’s new film, which adapts André Aciman’s 2007 novel about a precocious 17-year-old who falls in lust and love with his father’s 24-year-old graduate student, is remarkable for how it turns literature into pure cinema, all emotion and image and heady sensation. You could call Call Me by Your Name an erotic film, then — and it absolutely, undeniably is. But I mean it in a way that’s broader than our modern narrow usage of the term not just sex but also love, which is bigger and more frightening. Eros is a name for a kind of love that’s equal parts passion and torment, a kind of irrational heart fire that opens a gate into something longer-lasting. But it’s love that also feels, in the moment, like hurtling headlong off a cliff. I can’t remember a film that better captures that kind of madness and heightened attention to not just the object of desire but also the world at large. Nor can I recall a movie that more directly appeals to all of the audience’s senses to make them feel what’s happening onscreen. It’s undoubtedly a gay love story, though it’s less about coming out than coming of age. Call Me by Your Name is a lush, heady experience for the body, but it’s also an arousal for the soul. Call Me by Your Name drips with desire as it spins a story of first love Set “somewhere in northern Italy” in the summer of 1983, Call Me by Your Name lingers over six sun-soaked weeks in which everything shifts for Elio Timothée Chalamet. Cocky and preternaturally sophisticated — but with a hint of the insecure teenager still hanging around him — Elio joins his doting, unconventional parents Michael Stuhlbarg and Amira Casar at their comfortable ramshackle Italian villa, where they prepare to welcome their annual guest, the latest in a series of graduate students who spend the summer working with Elio’s father, a classics professor. Michael Stuhlbarg, Timothée Chalamet, and Armie Hammer in Call Me by Your Name. Sony Pictures Classics This summer that student is handsome, confident Oliver Armie Hammer, who has a way of taking up space He’s very tall, for sure, but his very presence seems to fill the spaces he’s in, whether it’s on the court in a casual volleyball game, at a local bar, or dancing in a crowd on the town square. Whereas Elio affects a studied aloofness, Oliver plunges into everything, clumsily destroying one soft-boiled egg at breakfast the first morning, then downing another while murmuring his appreciation, a man of ravenous desire only sometimes held back by a veneer of gentility. He refuses another “I know myself,” he says. “If I have a second, I’m gonna have a third, and then a fourth, and then you’ll just have to roll me out of here.” Elio looks on in wonder as this happens, both disgusted and fascinated by Oliver, who barrels out of rooms hollering, “Later!” Oliver’s frank American confidence is an inverse of Elio’s quieter impishness. The two couldn’t be more different. The chemistry between Hammer and Chalamet, and their performances, sells the relationship completely. They’re true starmaking turns for both actors, along with Stuhlbarg in a brief but key scene. But the spark between them takes a while to fan into a flame, especially since Elio has taken up with a French girl named Marzia Esther Garrel who’s in town for the summer. Oliver and Elio’s relationship starts out combative, with Elio navigating whatever’s happening inside of him by feigning disinterest, playing coy, and watching Oliver from afar while taunting him up close. Eventually they become friends. But one evening his mother reads from a 16th-century French romance, in which a knight yearning for a princess with whom he’s formed a friendship wonders, “Is it better to speak or to die?” And Elio decides he has to speak. We know and Oliver and Elio and Elio’s parents know that this can’t last forever, but in capturing the burn, Guadagnino makes us feel Elio’s desire, and thus his devastation. Every image practically drips with longing a live fish someone’s caught in the river, pages flapping in the hot breeze, water pouring from a tap into a stone pool, a table spread with breakfast preparations, the smoldering end of a cigarette. And, of course, the bodies of beautiful young people, which seem to have very little shielding them from the hot Italian sun. Timothée Chalamet and Armie Hammer in Call Me by Your Name. Sony Pictures Classics In this film, as in earlier ones like A Bigger Splash and I Am Love, Guadagnino’s sensual attention to the textures and smells and intimate noises of Italian life builds out a cinematic world that encompasses his characters but is much greater than them. It’s no accident that Heraclitus’s The Cosmic Fragments, philosophical texts about the world rather than just man, makes a brief but pointed appearance. The score mingles all kinds of music together — notably, John Adams’s “Hallelujah Junction,” the Psychedelic Furs’ “Love My Way,” and two original songs by Sufjan Stevens — and it feels like this movie is sparkling, as if you’re watching it in 4D. It’s intoxicating. It’s also pointedly Edenic, capturing a paradise that will inevitably be lost — but how pregnant with weighty joy and fullness the paradise is in the meantime; the inevitable loss seems only to heighten this. In A Bigger Splash, paradise falls when the snake of jealousy winds its way into the bliss; in Call Me by Your Name, it’s the simple, inevitable parting mandated by the ways that age and culture and station will keep Elio and Oliver apart. Call Me By Your Name draws on ancient themes while mingling together deeply human experiences The name of the film, and a pivotal moment in it, comes from Oliver pleading in a whisper to Elio, after they’ve finally slept together, for him to “call me by your name, and I’ll call you by mine.” It feels like an odd request at first, until you remember an idea that surfaces in Plato’s Symposium that in Greek mythology, humans were created as four-armed, four-legged, two-faced creatures, but split apart by Zeus and condemned to spend life searching for their other halves. In the Symposium’s rendering, whether one searches for a female or male half has to do with the nature of your original being, and there are various means through which two halves who find each other might live in companionship. But “when one of them meets with his other half,” it continues, “the actual half of himself, whether he be a lover of youth or a lover of another sort, the pair are lost in an amazement of love and friendship and intimacy, and would not be out of the other’s sight, as I may say, even for a moment.” This is the highest form of love — “the people who pass their whole lives together; yet they could not explain what they desire of one another.” This is, in other words, an origin story for what we moderns might call soulmates, and it hums through Call Me by Your Name like electricity. Timothée Chalamee and Armie Hammer in Call Me by Your Name. Sony Pictures Classics Ancient sculptures of figures who, as Elio’s father puts it, “dare you desire them” recur throughout the movie, strengthening the allusion to the ancients. And it mixes the pagan with the idea of a Garden of Eden — when Elio and Oliver spend their first night together, it’s certainly explicit at first, but then the camera pans out the window to rest on a tree. And a piece of juicy, luscious fruit shows up in a key, unforgettable scene that weaves together the natures of desire and guilt. But unlike the story of the Garden of Eden, there’s nothing like sin in Call Me by Your Name’s vocabulary — or at least, nothing puritanical. One assumes, watching the film, that a puritanical thought has never entered Guadagnino’s head. This isn’t a film about wrongdoing and punishment; it is about love, loss, and piercing joy in the context of a gay romance. Elio’s father, speaking to him near the end of the story, lays out the movie’s sense of what’s right and what’s wrong “Our hearts and our bodies are given to us only once,” he says. “And before you know it, your heart’s worn out. And as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now, there’s sorrow, pain. Don’t kill it, and with it the joy you’ve felt.” It is worth wading into desire, the movie suggests; it’s the only way to be alive, both in the good parts and the painful ones. The way Call Me by Your Name intermingles lust and love, desire and selflessness, flesh and soul is fully in service of Eros, but it isn’t just about sex, though that’s certainly a big part of it. It’s also trying to make us feel a mingling of souls that have found each other, and evoke the exhilaration of that meeting. It summons an erotic orientation toward the world with all its power, and then pours it onto the audience. It is, undoubtedly, Guadagnino’s masterpiece. Call Me by Your Name opens in theaters on November 22. $95/year $120/year $250/year $350/year Other Yes, I'll give $120/year Yes, I'll give $120/year We accept credit card, Apple Pay, and Google Pay. 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